Gardner's Art through the Ages: A Global History, Volume 1 (14th Edition)

Gardner's Art through the Ages: A Global History, Volume 1 (14th Edition)

Fred S. Kleiner

Language: English

Pages: 610

ISBN: 2:00293749

Format: PDF / Kindle (mobi) / ePub


The 14TH EDITION of GARDNER'S ART THROUGH THE AGES provides you with a comprehensive, beautifully-illustrated tour of the world's great artistic traditions! Easy to read and understand, the fourteenth edition of the most widely-read art history book in the English language continues to evolve, providing a rich cultural backdrop for each of the covered periods and geographical locations, and incorporating new artists and art forms -- all reproduced according to the highest standards of clarity and color fidelity. A complete online environment, including all images and an eBook, is also available. The unique Scale feature will help you better visualize the actual size of the artworks shown in the book. A new timeline within each chapter, along with "The Big Picture" overviews at the end of every chapter, will help you review for exams.

The Mystic Ark: Hugh of Saint Victor, Art, and Thought in the Twelfth Century

English Medieval Misericords: The Margins of Meaning (Boydell Studies in Medieval Art and Architecture, Volume 2)

Phobia: An Art Deco Graphic Masterpiece

Key Writers on Art: The Twentieth Century (Routledge Key Guides)

Treasuring the Gaze: Intimate Vision in Late Eighteenth-Century Eye Miniatures

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

rights restrictions require it. 15424_Intro_xvi-13_.indd 1 7/21/11 12:51 PM A RT HISTORY I N T HE 21ST CEN T U RY 1 ft. I-2 Clyfford Still, 1948-C, 1948. Oil on canvas, 6′ 8–87 ″ × 5′ 8–43 ″. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (purchased with funds of Joseph H. Hirshhorn, 1992). Clyfford Still painted this abstract composition without knowing who would purchase it or where it would be displayed, but throughout history, most artists created works

century 509 BCE. BCE BCE was the apex of Etruscan power in Italy. Etruscan kings even ruled Rome until ❙ The Etruscans admired Greek art and architecture but did not copy Greek works. They constructed their temples of wood and mud brick instead of stone and placed the columns and stairs only at the front. Terracotta statuary decorated the roof. Model of a typical Etruscan temple, sixth century BCE ❙ Most surviving Etruscan artworks come from underground tomb chambers. At Cerveteri, great

complex urban societies. In the city-states of ancient Sumer, activities that once had been individually initiated became institutionalized for the first time. The community, rather than the family, assumed functions such as defense against enemies and the caprices of nature. Whether ruled by a single person or a council chosen from among the leading families, these communities gained permanent identities as discrete cities. The city-state was one of the great Sumerian inventions. Another was

content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. 15424_Ch02_030-053.indd 41 7/21/11 1:22 PM 2-15 Ziggurat (looking southwest), Ur (modern Tell Muqayyar), Iraq, ca. 2100 bce. The Ur ziggurat is one of the largest in Mesopotamia. It has three (restored) ramplike stairways of a hundred steps each that originally ended at a gateway to a brick temple, which

Nothing that had been enjoyed on earth was to be lacking. The Egyptians also placed statuettes called ushabtis (answerers) in the tomb. These figurines performed any labor required of the deceased in the afterlife, answering whenever his or her name was called. Beginning in the third millennium bce, the Egyptians also set up statues of the dead (for example, FIGS. 3-11 to 3-13) in their tombs. The statues were meant to guarantee the permanence of the person’s identity by providing substitute

Download sample

Download

Comments are closed.