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Great Animal Drawings and Prints (Dover Fine Art, History of Art)
Carol Belanger Grafton
Language: English
Pages: 112
ISBN: B00A3ZDT9G
Format: PDF / Kindle (mobi) / ePub
A superb archive of carefully selected works by celebrated artists, from Renaissance luminaries to twentieth-century masters, this rich pictorial legacy will be prized by animal lovers as much as it will be treasured by devotees of fine art.
Art & Visual Culture 1100-1600: Medieval to Renaissance
Prehistoric Future: Max Ernst and the Return of Painting between the Wars
American Realism (Temporis Collection)
The Shape of Time: Remarks on the History of Things
Study of a Tiger. Black and red chalk, heightened with white, on bistre paper. 391 x 570 mm. 62 HERBERT THOMAS DICKSEE (1862–1942) On the Alert. Watercolor and gouache. 443 x 690 mm. 63 ALBRECHT DÜRER (1471–1528) Rabbit. Watercolor. 250 x 225 mm. 64 JEAN-LOUIS-ANDRÉ-THÉODORE GÉRICAULT (1791–1824) Fighting Horses. Watercolor over pencil. 216 x 295 mm. 65 JOHN GOULD (1804–1881) Eagle Owl. Lithograph. 400 x 525 mm. 66 LEONARDO DA VINCI (1452–1519) A Horse in Profile to the Right and Its
Study of a Tiger. Black and red chalk, heightened with white, on bistre paper. 391 x 570 mm. 62 HERBERT THOMAS DICKSEE (1862–1942) On the Alert. Watercolor and gouache. 443 x 690 mm. 63 ALBRECHT DÜRER (1471–1528) Rabbit. Watercolor. 250 x 225 mm. 64 JEAN-LOUIS-ANDRÉ-THÉODORE GÉRICAULT (1791–1824) Fighting Horses. Watercolor over pencil. 216 x 295 mm. 65 JOHN GOULD (1804–1881) Eagle Owl. Lithograph. 400 x 525 mm. 66 LEONARDO DA VINCI (1452–1519) A Horse in Profile to the Right and Its
x 287 mm. 72 HERMAN PALMER (1894–1946) Lancelot. Pen and ink and yellow wash on buff paper. 254 x 295 mm. 73 GEORGE PENCZ (c.1500–1550) Romulus and Remus. Pen and black ink, watercolor and gouache over black chalk under-drawing, on white paper. 280 mm. diameter. 74 PABLO PICASSO (1881–1973) Bull and Gored Horse. Black ink on prepared panel. 315 x 407 mm. 75 PABLO PICASSO (1881–1973) Horse and Dying Minotaure. Gouache and Indian ink. 494 x 644 mm. 76 PABLO PICASSO (1881–1973) The Monkey.
11501 Table of Contents Title Page Copyright Page LIST OF PLATES LIST OF PLATES Frontispiece: PETER PAUL RUBENS (1577–1640) Study for the Portrait of the Duke of Lerma. Pen over black chalk and wash. 300 x 215 mm. 1 JOST AMMAN (1539–1591) Saint Nicholas. Pen and ink, heightened with white, on red prepared paper. 301 x 197 mm. 2 JOST AMMAN (1539–1591) Stag. Pen and black ink. 109 x 91 mm. 3 ANDREA DEL SARTO (1486–1531) Studies of a Dog. Red chalk. 190 x 253 mm. 4 FRANCIS BARLOW
Hunt. Pen and brown ink, brown wash, heightened with white gouache. 185 x 261 mm. 92 GIOVANNI DOMENICO TIEPOLO (1727–1804) Peasants on Their Way to Market. Pen and brown ink and wash, over underdrawing in black chalk. 296 x 421 mm. 93 TITIAN (TIZIANO VECELLIO) (1485–1576) Leaping Rider. Black and white chalk on blue paper. 388 x 247 mm. 94 TITIAN (1485–1576) A Horse and Rider Falling. Black chalk, on discolored gray paper, squared for enlargement in red chalk. 274 x 262 mm. 95 HENRI DE
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