Ryszard Kapuściński: A Life

Ryszard Kapuściński: A Life

Artur Domoslawski

Language: English

Pages: 462

ISBN: 2:00196492

Format: PDF / Kindle (mobi) / ePub


Controversial biography of the twentieth-century master of literary reportage

Definitive biography of one of the most significant journalists of the twentieth century.
Reporting from such varied locations as postcolonial Africa, revolutionary Iran, the military dictatorships of Latin America and Soviet Russia, the Polish journalist and writer Ryszard Kapuściński was one of the most influential eyewitness journalists of the twentieth century. During the Cold War, he was a dauntless investigator as well as a towering literary talent, and books such as The Emperor and Travels with Herodotus founded the new genre of ‘literary reportage’. It was an achievement that brought him global renown, not to mention the uninvited attentions of the CIA.
In this definitive biography, Artur Domosławski shines a new light on the personal relationships of this intensely charismatic, deeply private man, examining the intractable issue at the heart of Kapuściński's life and work: the relationship and tension between journalism and literature.
In researching this book, Domosławski, himself an award-winning foreign correspondent, enjoyed unprecedented access to Kapuściński's private papers. The result traces his mentor’s footsteps through Africa and Latin America, delves into files and archives that Kapuściński himself examined, and records conversations with the people that he talked to in the course of his own investigations. Ryszard Kapuściński is a meticulous, riveting portrait of a complex man of intense curiosity living at the heart of dangerous times.

from the review in Guardian
http://www.theguardian.com/books/2012/aug/02/ryszard-kapuscinski-biography-domoslawski-review

"Kapuściński" has long been one of Poland's few internationally recognised names, comparable to "Miłosz" or "Polanski". His vivid literary reporting of the uses and misuses of power, in the books The Emperor, The Soccer War and Shah of Shahs, was widely read in the 1980s and beyond, partly because of the author's unique position (a star reporter emerging from the darkness of communist Poland, then in the midst of martial law after a failed workers revolt) but mainly for its unusual style – personal, meticulous, literary, digressive. His wasn't the typical way of writing journalism and, similarly, Artur Domosławski's book is not a conventional biography. Both the author and his "hero", friend and mentor stand out from what was acceptable during the cold war, and today.

The book caused much controversy when it was published in Poland two years ago (with the title Kapuściński – Non-Fiction). For foreign commentators, the main interest was in discovering how its subject had embroidered the truth in service to style or politics – the fabulations involved his meetings with Che Guevara, Patrice Lumumba, Idi Amin and Salvador Allende. (The Guardian ran numerous pieces in his defence, including by Neal Ascherson and Timothy Garton Ash.) In Poland, the issues were different. Kapuściński's widow tried to stop the book's publication because of its unembellished descriptions of the writer's private life (in particular, his extramarital affairs). But more important than these revelations was Domosławskii's confirmation of the reporter's close connection with various aspects of the communist order, including the intelligence services; his belief in socialist ideology; and his uneasy adaptation to post-1989 realities. In engaging with all this, Domosławski has produced a rare and subtle portrait of the People's Republic of Poland.

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sort of thoughts and feelings prey on a man as he writes about crimes, when his own past work includes a poem written years ago in honour of the criminal. What does the sixty-year-old, wiser with age, think of the eighteen-year-old who is filled with excitement or the twenty-something who has seen a great deal but cannot yet have understood much? What would the older man have to say to the younger one? One of his friends offers the following thought in the form of a question: ‘Maybe he

the Nobel Prize have persistently cropped up before now, and will do so again a year from now. It is said he has a strong lobby on the Nobel jury, that it is only a matter of time and he will finally get the world’s most prestigious literary prize. In October 2006, three months before his death, he notes: ‘This morning there was a call from Professor Noszczyk, to say: “I’m disappointed that you didn’t get the Nobel Prize.” ’ Not a word about his own reaction, though it could have been

snaps the editor-in-chief of Sztandar Młodych. She can tell that the report about Nowa Huta that has just landed on her desk will get the newspaper into trouble. Irena Tarłowska is not a timid boss. At thirty-seven, she is quite a bit older than the twenty-somethings who form the main core of her staff. (‘Irena Tarłowska was a strapping, handsome woman with thick blond hair parted to one side’, Kapuściński would write about her years later.2) A left-wing woman who radiated French culture,

teach him to view things from the desperadoes’ perspective: those who are affected by repression, poverty and lack of prospects believe that situations occur in which there are no options left but bombs, guns, and sometimes suicide. When they’re soon going to kill you, when you have to save your friends from torture, when you cannot see light at the end of the tunnel, all that remains is armed struggle (let it even be terrorism and violence) as the act of ultimate despair. It is hard to extol or

father. ‘He brought his daughter money, he was very proud of it,’ remember the friends. ‘Meanwhile, with her entire behaviour, she was communicating to him: “Don’t think you can buy me for a few thousand.” ’ At the turn of the 1980s and 1990s, mutual relations take a turn for the worse. The number of grudges grows. Father explains to daughter that he is willing to help her, but he is not in a position to maintain her. He has earned a lot from several books published abroad, but it is

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