Wild Tales: A Rock & Roll Life

Wild Tales: A Rock & Roll Life

Graham Nash

Language: English

Pages: 368

ISBN: 0385347561

Format: PDF / Kindle (mobi) / ePub

From Graham Nash—the legendary musician and founding member of the iconic bands Crosby, Stills & Nash and The Hollies—comes a candid and riveting autobiography that belongs on the reading list of every classic rock fan.
Graham Nash's songs defined a generation and helped shape the history of rock and roll—he’s written over 200 songs, including such classic hits as "Carrie Anne," “On A Carousel,” "Simple Man," "Our House," “Marrakesh Express,” and "Teach Your Children." From the opening salvos of the British Rock Revolution to the last shudders of Woodstock, he has rocked and rolled wherever music mattered. Now Graham is ready to tell his story: his lower-class childhood in post-war England, his early days in the British Invasion group The Hollies; becoming the lover and muse of Joni Mitchell during the halcyon years, when both produced their most introspective and important work; meeting Stephen Stills and David Crosby and reaching superstardom with Crosby, Stills, Nash & Young; and his enduring career as a solo musician and political activist.  Nash has valuable insights into a world and time many think they know from the outside but few have experienced at its epicenter, and equally wonderful anecdotes about the people around him: the Beatles, the Stones, Hendrix, Cass Elliot, Dylan, and other rock luminaries. From London to Laurel Canyon and beyond, Wild Tales is a revealing look back at an extraordinary life—with all the highs and the lows; the love, the sex, and the jealousy; the politics; the drugs; the insanity—and the sanity—of a magical era of music.

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experience. Do you like them? Do they affect you or not? David Hockney felt the same way as she did—at first. Soon, however, we began printing for him, as well as for great photographers like Douglas Kirkland, Pedro Meyer, Robert Heinecken and his wife, Joyce Neimanas, and painters like William Mathews, Francisco Clemente, and Jamie Wyeth. Our studio was doing incredible work. Henry Wilhelm, who wrote the definitive book on the degradation of color images, said that the same image printed by

we vowed that the moment we got back to the States we’d go down to Occupy Wall Street and lend our support. Within two days after that tour ended, we went down there with our acoustic guitars and James Raymond. There were no amps, no microphones. It was very much like the Brandenburg Gate show. We didn’t care. We did four or five songs and talked to the crowd. Hundreds of people were there, a cross between Woodstock and the benefit shows that we’ve done throughout the last several decades:

she didn’t know I was a budding rock ’n’ roll star—and once she found out, she couldn’t have cared less. We felt lucky to have found each other. Aside from the sparks we created, there was lots of laughing. We hung out together whenever I wasn’t performing, haunting the coffee bars and clubs in Manchester, dancing at the Plaza Ballroom, listening to a lot of rock ’n’ roll, making love always like it was the last time we’d get the chance. We never talked much about our dreams, but I knew Rosie

million people. I walked in with my friends Gary Leeds from the Walker Brothers, Allan McDougall, and my wife, Rose. Everybody was dressed to the nines in their finest hippie outfits: Mick Jagger, Keith Richards, Eric Clapton, Keith Moon, Marianne Faithfull, Jane Asher, Pattie Harrison, and many Beatle friends were there awaiting what was obviously going to be an incredible event. George Martin, who wrote the score, had the room set up like a live set with an orchestra conducted by Mike Vickers,

shows were at the Greek Theatre, back on our home turf. We asked Joni to open the shows for us (I found out later that Neil had told Joni that we should be opening for her). The shows were rather special for us … not only was Joni a fabulous writer and performer but the atmosphere she helped create was electric. One might even say magical. One night a rainbow-colored contrail from a rocket—fired from the Vandenberg Air Force Base—illuminated the skies. Even the fans who couldn’t get tickets

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